10 hours of relaxing music that can be used as sleep music, meditation music, study music or background music for other activities. This calm piano music (★143) with added water sounds is composed by me, Peder B. Helland, for Soothing Relaxation.
Listen to more ► www.youtube.com/watch?v=77ZozI0rw7w
Серия расслабляющей музыки DOZE OFF MEDUZA / STAV IT SKY -это оригинальные, успокаивающие простые и мирные мелодии, сочиненные музыкантом “ STAV IT SKY “ и загруженные на YouTube. Обычно это расслабляющий звук фортепиано, который хорош для снятия стресса. Но также эта музыка отлично подходит для отдыха, медитации, йоги, массажа, учебы, чтения, сна, работы и т. д., а так же что бы помочь Вам уснуть
The DOZE OFF MEDUZA / STAV IT SKY relaxing music series Is Original, calming simple and peaceful tunes composed by STAV IT SKY and uploaded to YouTube. Usually This is Relaxing Piano Sound Which is Good For Stress Relief, But Also These music are great for relaxing, meditation, yoga, massage, studying, reading, working, etc. and to help you to fall asleep.
Amalie Bruun has always paved her own path, challenging underground preconceptions of heavy metal ever since the release of her debut Myrkur EP in 2014. Her first two full-length studio albums, 2015’s M and 2017’s Mareridt, recast black metal in the most personal yet expansive of terms, their blending of Amalie’s Danish folk roots with tempestuous internal struggles breathing new life into a subgenre whose followers can be rigidly possessive.
With the release of her new album, Folkesange, Amalie Bruun has set out to journey into the very heart of the Scandinavian culture that marked her childhood. Folkesange relinquishes black metal for a refined yet far-reaching evocation of traditional folk, combining songs ancient and new to sublimely resonant effect.
After the nightmare-induced visions that wrought themselves throughout Mareridt, Folkesange offers an emotional sanctuary, a means to reconnect to something permanent and nature-aligned. It’s an awareness that’s become deeply bound to the album’s organic, regenerative spirit, from the opening track Ella’s heartbeat, frame-drum percussion and crystalline vocals that become the grounding for a rapt, richly textured awakening, to the gentle carousel of the closing Vinter, with its nostalgia-steeped connotations of seasonal, snowfall-bewitched awe.
Storytelling, rites of passage, and the invocation of a continuity that passes through time and generation are all part of folk music’s tapestry, and Folkesange taps into all these currents in their most essential form. In part a purist’s approach to the genre, free from over-interpretation and fusion, the use of traditional instruments throughout, such as nyckelharpa, lyre, and mandola offer a deeper, more tactile connection to their source, an unbroken line of communication back to the past.
But the album is no museum piece; it resonates in the here and now, aided by the spacious production of Heilung member and musical collaborator Christopher Juul. Cinematic yet intimate, Folkesange exists in a state of boundless reverie, bourne by string-led drones, cyclical, elegiac rhythms and Amalie’s frictionless voice, all carrier signals for deep-rooted, ancestral memories, and associations felt on an elemental level.
It’s a binding of the otherworldly and the earthy that echoes the the subject matter of many of the tales themselves. Written by Amalie, Leaves Of Yggdrasil’s medieval cadences bind tragic love story and mythology, full of both fairytale wonder and deeply human foible. Tor i Helheim, its dreamily persistent rhythm redolent of both innocence and encroachment, is based on a poem from the Icelandic Eddas, relating a journey into the underworld of Hel where the sparse nature of the accompaniment becomes the medium that carries you along in its thrall.
An immersive experience in its own right, but also belonging to a wider, pagan folk-based renaissance that has attracted a devoted following worldwide, Folkesange answers a need that has become ever more pressing in turbulent times. A zeroing in on a resonance that is both intrinsic and enduring, it’s a rediscovery of personal grounding, and an experience that reaches beyond culture to remind us of a shared, deeply rooted inheritance. A tuning fork that binds the personal and the universal, Folkesange is a reminder that the most transcendent experiences are those closest to home.
Maybe Im foolish, maybe Im blind
Thinking I can see through this and see whats behind
Got no way to prove it so maybe Im blind
But Im only human after all, Im only human after all
Dont put your blame on me
Take a look in the mirror and what do you see
Do you see it clearer or are you deceived in what you believe
Cos Im only human after all, youre only human after all
Dont put the blame on me
Dont put your blame on me
Some people got the real problems
Some people out of luck
Some people think I can solve them
Lord heavens above
Im only human after all, Im only human after all
Dont put the blame on me
Dont put the blame on me
Dont ask my opinion, dont ask me to lie
Then beg for forgiveness for making you cry, making you cry
Cos Im only human after all, Im only human after all
Dont put your blame on me, dont put the blame on me
Some people got the real problems
Some people out of luck
Some people think I can solve them
Lord heavens above
Im only human after all, Im only human after all
Dont put the blame on me
Dont put the blame on me
Im only human I make mistakes
Im only human thats all it takes to put the blame on me
Dont put your blame on me
Im no prophet or messiah
Should go looking somewhere higher
Im only human after all, Im only human after all
Dont put the blame on me, dont put the blame on me
Im only human I do what I can
Im just a man, I do what I can
Dont put the blame on me
Dont put your blame on me"
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