01 — 00:00 — Fjörgyn
02 — 06:00 — Lœra∂r
03 — 10:42 — Dødelig Fartoy
04 — 14:53 — Much Wisdom is Such Grief
05 — 18:31 — Ettr Storman
06 — 22:55 — Nordlige Eik Tre
07 — 31:31 — Grå Hest
08 — 34:40 — Det Hører Til Skogen
09 — 37:40 — Galdrafö∂r
10 — 43:52 — The White Elk
11 — 54:24 — Fylgja I (Blood of Yew)
12 — 59:22 — Ymir
13 — 1:05:04 — Fylgja II (To Tread the Path of Fire)
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DISCLAIMER. I do not claim any rights of the uploaded songs — all rights go to their respective creator(s). This channel is meant to be a personal collection of songs intended to be shared with others for entertainment and promotional purposes only.
Amalie Bruun has always paved her own path, challenging underground preconceptions of heavy metal ever since the release of her debut Myrkur EP in 2014. Her first two full-length studio albums, 2015’s M and 2017’s Mareridt, recast black metal in the most personal yet expansive of terms, their blending of Amalie’s Danish folk roots with tempestuous internal struggles breathing new life into a subgenre whose followers can be rigidly possessive.
With the release of her new album, Folkesange, Amalie Bruun has set out to journey into the very heart of the Scandinavian culture that marked her childhood. Folkesange relinquishes black metal for a refined yet far-reaching evocation of traditional folk, combining songs ancient and new to sublimely resonant effect.
After the nightmare-induced visions that wrought themselves throughout Mareridt, Folkesange offers an emotional sanctuary, a means to reconnect to something permanent and nature-aligned. It’s an awareness that’s become deeply bound to the album’s organic, regenerative spirit, from the opening track Ella’s heartbeat, frame-drum percussion and crystalline vocals that become the grounding for a rapt, richly textured awakening, to the gentle carousel of the closing Vinter, with its nostalgia-steeped connotations of seasonal, snowfall-bewitched awe.
Storytelling, rites of passage, and the invocation of a continuity that passes through time and generation are all part of folk music’s tapestry, and Folkesange taps into all these currents in their most essential form. In part a purist’s approach to the genre, free from over-interpretation and fusion, the use of traditional instruments throughout, such as nyckelharpa, lyre, and mandola offer a deeper, more tactile connection to their source, an unbroken line of communication back to the past.
But the album is no museum piece; it resonates in the here and now, aided by the spacious production of Heilung member and musical collaborator Christopher Juul. Cinematic yet intimate, Folkesange exists in a state of boundless reverie, bourne by string-led drones, cyclical, elegiac rhythms and Amalie’s frictionless voice, all carrier signals for deep-rooted, ancestral memories, and associations felt on an elemental level.
It’s a binding of the otherworldly and the earthy that echoes the the subject matter of many of the tales themselves. Written by Amalie, Leaves Of Yggdrasil’s medieval cadences bind tragic love story and mythology, full of both fairytale wonder and deeply human foible. Tor i Helheim, its dreamily persistent rhythm redolent of both innocence and encroachment, is based on a poem from the Icelandic Eddas, relating a journey into the underworld of Hel where the sparse nature of the accompaniment becomes the medium that carries you along in its thrall.
An immersive experience in its own right, but also belonging to a wider, pagan folk-based renaissance that has attracted a devoted following worldwide, Folkesange answers a need that has become ever more pressing in turbulent times. A zeroing in on a resonance that is both intrinsic and enduring, it’s a rediscovery of personal grounding, and an experience that reaches beyond culture to remind us of a shared, deeply rooted inheritance. A tuning fork that binds the personal and the universal, Folkesange is a reminder that the most transcendent experiences are those closest to home.
Maybe Im foolish, maybe Im blind
Thinking I can see through this and see whats behind
Got no way to prove it so maybe Im blind
But Im only human after all, Im only human after all
Dont put your blame on me
Take a look in the mirror and what do you see
Do you see it clearer or are you deceived in what you believe
Cos Im only human after all, youre only human after all
Dont put the blame on me
Dont put your blame on me
Some people got the real problems
Some people out of luck
Some people think I can solve them
Lord heavens above
Im only human after all, Im only human after all
Dont put the blame on me
Dont put the blame on me
Dont ask my opinion, dont ask me to lie
Then beg for forgiveness for making you cry, making you cry
Cos Im only human after all, Im only human after all
Dont put your blame on me, dont put the blame on me
Some people got the real problems
Some people out of luck
Some people think I can solve them
Lord heavens above
Im only human after all, Im only human after all
Dont put the blame on me
Dont put the blame on me
Im only human I make mistakes
Im only human thats all it takes to put the blame on me
Dont put your blame on me
Im no prophet or messiah
Should go looking somewhere higher
Im only human after all, Im only human after all
Dont put the blame on me, dont put the blame on me
Im only human I do what I can
Im just a man, I do what I can
Dont put the blame on me
Dont put your blame on me"
Kommen sie mit auf eine spannende Reise in die Welt der Pyramiden und blicken sie hinter das Geheimnis dieser außergewöhnlichen Bauwerke.
Pyramiden faszinieren seit Jahrhunderten die Menschheit. Wie war es möglich solch kolossale Bauwerke ohne technische Hilfsmittel zu errichten? Was steckt hinter diesen geheimnisvollen Grabstätten? Patrice Pooyard war über 6 Jahre unterwegs und bereiste dabei Länder wie China, Peru, Ägypten und Mexiko um hinter das rätselhafte Geheimnis der Pyramiden zu kommen. Zusammen mit bekannten Wissenschaftlern und Spezialisten untersucht er seine Entdeckungen, um einen immer tiefer gehenden Einblick in die fesselnde Kunst der Bauwerke zu erlangen.
Am Ende seiner atemberaubenden Reise steht der Regisseur vor einer sensationellen und vollkommen ungeahnten Enthüllung…
korea