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Tommy Guerrero - Soul Food Taqueria (Full Album)


0:00 Intro Lectric Chile Goat
0:55 Abierto
4:55 Organism
9:02 Thank You MK
12:54 Tatanka
17:04 Interlude Train of Thought
18:24 It Gets Heavy
21:47 Thin Brown Layer
26:28 Interlude So Many Years Ago
27:13 Terra Unfirma
31:18 Gettin It Together
34:40 Another Brother Gone
37:09 Broken Blood
40:58 Interlude And the Day Goes By
42:25 Lost Unfound
45:57 The Color of Life
49:55 Falling Awake

One of Tommys best works. Please share!

The Italian Language!


This video is all about the Italian language, both its history and its features! ITALIANO!
Learners of Italian, click the link to get a free account at ItalianPod101: langfocus.com/italianpod.

(Full disclosure: if you sign up for a premium account, Langfocus receives a small referral fee. But the free account is great too!)

Special thanks to Vanni Rosini for his Italian language samples!

Support Langfocus on Patreon: patreon.com/langfocus

Current patrons include these beautiful people:

Anjo Barnes, Auguste Fields, Behnam Esfahbod, Bennett Seacrist, Brandon Gonzalez, Brian King, Can Cetinyilmaz, Clark Roth, Fiona de Visser, Georgy Eremin, Guillermo Jimenez, Jacob Madsen, John Moffat, Kenny, Leon Jiang, Marcelo Loureiro, Matthew Etter, Michael Arbagi, Michael Cuomo, Nobbi Lampe-Strang, Patrick W., Rosalind Resnick, Ruben Sanchez Jr, Sebastian Langshaw, ShadowCrossZero, Victoria Goh, Vincent David, Yuko Sunda, Adam Powell, Adam Vanderpluym, Alen, Alex Hanselka, Ali Muhammed Alshehri, Alvin Quiñones, Andrew Woods, Angeline Biot, Aous Mansouri, Ashley Dierolf, Atsushi Yoshida, Avital Levant, Bartosz Czarnotta, Brent Warner, Brian Begnoche, Brian Morton, Bruce Stark, Carl saloga, Chelsea Boudreau, Christian Langreiter, Christopher Lowell, David LeCount, Debbie Levitt, Diane Young, DickyBoa, divad, Divadrax, Don Ross, Donald Tilley, Ed B, Edward Wilson, Eric Loewenthal, Erin Robinson Swink, Fabio Martini, fatimahl, Grace Wagner, Greg Boyarko, Gus Polly, Hannes Egli, Harry Kek, Henri Saussure, Herr K, Ina Mwanda, Jack Jackson, James and Amanda Soderling, James Lillis, Jay Bernard, Jens Aksel Takle, JESUS FERNANDO MIRANDA BARBOSA, JK Nair, JL Bumgarner, John Hyaduck, Justin Faist, Kevin J. Baron, Klaw117, Konrad, Kristian Erickson, Krzysztof Dobrzanski, Laura Morland, Lee Dedmon, Leo Coyne, Leo Barudi, Lincoln Hutton, Lorraine Inez Lil, Luke Jensen, M.Aqeel Afzal, Mahmoud Hashemi, Margaret Langendorf, Maria Comninou, Mariana Bentancor, Mark, Mark Grigoleit, Mark Kemp, Markzipan, Maurice Chou, Merrick Bobb, Michael Regal, Mike Frysinger, mimichi, Mohammed A. Abahussain, Naama Shang, Nicholas Gentry, Nicole Tovar, Oleksandr Ivanov, Oto Kohulák, Panot, Papp Roland, Patrick smith, Patriot Nurse, Paul Shutler, Pauline Pavon, Paulla Fetzek, Peter Andersson, Peter Nikitin, Peter Scollar, Pomax, Raymond Thomas, Renato Paroni de Castro, ReysDad, Robert Sheehan, Robert Williams, Roland Seuhs, Ron McKinnon, Ronald Brady, Ryan Lanham, Saffo Papantonopoulou, Scott Irons, Scott Russell, Sergio Pascalin, ShrrgDas, Sierra Rooney, Simon Blanchet, Simon G, Spartak Kagramanyan, Stefan Reichenberger, Steven Severance, Suzanne Jacobs, Theophagous, Thomas Chapel, Tomáš Pauliček, Tryggurhavn, veleum, William MacKenzie, William O Beeman, William Shields, yasmine jaafar, Yassine Ouarzazi, Yeshar Hadi, and Éric Martin.

Music

The song accompanying Pauls life-changing jokes: “Sax Attack” by Dougie Wood.
Main: «Sunrise Drive» by South London HiFi
Outro: «Sunny Morning» by Bruno E.

The following image was used under Creative Commons share-alike 4.0 license: commons.wikimedia.org/wiki/File:Italian_Dialects.png. Author: Sima Brankov.

This video contains some still images incorporating the above image. These still images are available for use under Creative Commons Share Alike 4.0 license.

The Greek Language


Это видео обо всех аспектах греческого языка, о его истории и развитии, а также о некоторых важных особенностях языка.

Отдельное спасибо Seyhan Sakallı за запись греческой озвучки!

Мои текущие меценаты включают этих фантастических людей: Brandon Gonzalez, Виктор Павлов, Mark Thesing, Jiajun «Jeremy» Liu, Виктор Павлов, Guillermo Jimenez, Sidney Frattini Junior, Bennett Seacrist, Ruben Sanchez, Michael Cuomo, Eric Garland, Brian Michalowski, Sebastian Langshaw, Vadim Sobolev, FRANCISCO, Mohammed A. Abahussain, Fred, UlasYesil, JL Bumgarner, Rob Hoskins, Thomas A. McCloud, Ian Smith, Maurice Chow, Matthew Cockburn, Raymond Thomas, Simon Blanchet, Ryan Marquardt, Sky Vied, Romain Paulus, Panot, Erik Edelmann, Bennet, James Zavaleta, Ulrike Baumann, Ian Martyn, Justin Faist, Jeff Miller, Stephen Lawson, Howard Stratton, George Greene, Panthea Madjidi, Nicholas Gentry, Sergios Tsakatikas, Bruno Filippi, Sergio Tsakatikas, Qarion, Pedro Flores, Raymond Thomas, Marco Antonio Barcellos Junior, David Beitler, Rick Gerritzen, Sailcat, Mark Kemp, Éric Martin, Leo Barudi, Piotr Chmielowski, Suzanne Jacobs, Johann Goergen, Darren Rennels, Caio Fernandes, Iddo Berger, Peter Nikitin, Brent Werner, Fiona de Visser, Carl Saloga и Edward Wilson за их щедрую поддержку на Patreon.

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Музыка

Вступление: «Early Riser» автора Kevin Mcleod, incompetech.com
«Sax Attack» автора Dougie Wood

Основная: «Erykah» автора Otis McDonald.

Концовка: «Funky Suspense» с сайта Bensound.com

Я использовали множество источников для подготовки и создания этого видео, но из них были особенно полезны при создании второй половины видео:

«Learn Greek Without a Teacher» автора Graciela Feller.

www.academia.edu/884777/Focus_in_modern_Greek

www.foundalis.com/lan/grkgram.htm

Chopin - Nocturne op.9 No.2


Nocturne in E-flat major, Op. 9, No. 2
Played by Vadim Chaimovich (https://www.youtube.com/vadimchaimovich)
FB-Vadim: www.facebook.com/vadimchaimovich
— Instagram
www.instagram.com/andrearomanoandrea

Vincent van Gogh painted The Starry Night one year before dying.
Chopin composed his popular Nocturne when he was about twenty.
it does not matter if you think that it is too late for you or that you still have a lot of time...you have to decide whether you are Chopin or van Gogh.

The idea behind these videos is coming from a research published by the Psychology Department of Berkeley University studying the relation between colors, emotions and how external stimuli are impacting decision making.

The study results demonstrate a strong correlation between faster music in minor tone and the choice from participants of colors from that were saturated, yellower and lighter whereas a slower and minor music produced the opposite pattern (choice of desaturated, darker and bluer colors).

Based on these findings, we wanted to create synesthesia in our videos and trigger more intense and long-lasting emotions in our viewers, get higher audience retention and interaction. We decided to do that by associating drawings from the major painters that were following the scientific findings of this research.
The choice of these paintings and the consecutive association with the music is also based on an accurate work that requires significant time and energy.

The analysis of the melodies returned to us a lot of information on how the painting should have been made. We needed a simple blue pattern but with an intrinsic meaning. Something that people could watch for a while without really understand it.

By creating this video I tried to do only one thing which turned to be the most difficult one: make you feel an emotional synesthesia.
When hearing the melody, dont you feel that everything is...blue? aren’t you lost in the sky? is your mind going over? It’s not for no reason.
it is not only an image, it is not only a melody. It is a trip.
You dont feel bored. Its your mind using the notes and the colors to create your own experience.

Most of the videos online with only one image are only music, but not this.

The research behind the perfect combination is the key for the unconscious.

The research:
«Music–color associations are mediated by emotion»
www.pnas.org/content/110/22/8836
Stephen E. Palmer, Karen B. Schloss, Zoe Xu, and Lilia R. Prado-León
— This popular nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato.