go my minions destroy every building in sight! wait where you going, wait why are you looking at me with shame…

songs:
(00:00) Bonbero

Мелодия Андрея Петрова «А я иду, шагаю по Москве», из к\ф «Я шагаю по Москве».

Канал посвящен классической гитаре. На канале размещается весь музыкальный репертуар, который я накапливаю по мере освоения классической гитары.

The channel is dedicated to classical guitar. The channel is the entire musical repertoire, which I accumulate with the development of the classical guitar.

Aviasales — avs.io/3d2H

Евгений BadComedian Баженов — самый популярный кинокритик России. Его новое видео — про ВИКИНГ — www.youtube.com/watch?v=2_bWhf5SdtI

Дудь — vdudvdud.ru/

мой кореш — www.youtube.com/user/VideoEurosport

♥ Оригинал — youtu.be/el_PChGfJN8
♥ Наш сайт — cybercatstudio.com/
♥ Мы в ВК — vk.com/cybercatstudiopublic
♥ Мы в Instagram — www.instagram.com/cybercatstudio/
♥ Мы в Twitter — twitter.com/CyberCatCompany
♥ Поддержать проект — www.donationalerts.com/r/cybercatstudio

♫ Озвучили:
►Megera — vk.com/vselennoihlam
►Ruta — vk.com/ururuta
►Myaurik — vk.com/kotleta_myaurik
►Akkakken — vk.com/akkakken4ik
►Abby D — vk.com/abbysvoice
►Zozya — vk.com/waifuvgolove

♪ Работа со звуком:
►Gradis — vk.com/cot_with_gradis

☼ Перевод:
►Smashman — vk.com/sudurov99
►Ivanyschka — vk.com/ivanyschkakyky
►Doppio_Desu — vk.com/doppio_cat
►Myaurik — vk.com/kotleta_myaurik

Надеемся, что вам понравилось! Поддержите переводчиков и дабберов лайком и не забудьте нажать на колокольчик, чтобы не пропустить новые видео!)

#Vivziepop
#HelluvaBoss
#CyberCatStudio
#RusDub
#АдскийБосс
#Перевод

From the 2008 album 未知艺术家

Lyrics:

当夜幕降临在我的城市

有另外一种人的生活即将开始

他们白天睡懒觉

也不用去上班

所以晚上睡不着在家太无聊

不喜欢看电视

也不爱上网

因为都是看得见摸不着的假象

到底哪儿才有真的

我想要找个尖的

闲着也是闲着就别耽误时间了

出了门儿

约哥们儿商量去哪儿透透气儿

单身的自由属于成年的光棍儿

都露着大腿 踩着高跟儿 飘着香味儿

漂亮的大妞儿

一个比一个够劲儿

知道你一人儿想要跟你聊会儿

跟你逗个闷儿你也根本琢磨不过味儿

一会儿咱们换个地儿

找个Old Dirty饭馆儿告诉你点事儿

北京晚报,有人征婚有人打广告, 其实就是吹牛逼和想操

北京晚报,太多的人在家里犯傻逼都睡不着, 我根本不要

北京晚报,有人喝酒有人吃High药, 喜欢散德行还不爱带套儿

北京晚报,老家儿都叫我夜猫子因为只有天黑了才出来造

但是到了后半夜

情况有所改变

因为恶狼太多了肥羊有限

剩下一大帮老爷们儿互相看不份儿

非要给这个喝醉的晚上来点儿火药味儿

于是有人出手 有人逃走

有人搂着残的妞儿

喝着假的洋酒

看了一出戏

两个没出息的大傻逼

让其他人看乐子

自己发脾气

把妞都吓跑了

自己也傻了

酒吧老板报了警那我也只能闪了

上了瓷的车

再卷一个去兜风

从二环到三环都不会堵车

无数的霓虹灯照亮我的世界

不管多晚桑拿洗浴他妈都会营业

红白蓝的车灯照亮了整条大街

但是对于这些他永远装看不见

北京晚报,有人在找有人在照, 打架多数还是人多的欺负人少

北京晚报,有人睡地下通道, 有人公款吃喝国家给报销

北京晚报,有人迟到有地儿验尿, 危险就在身边玩儿的就是心跳

北京晚报,北京会越来越热闹, 但我们再也找不回从前的味道

深更半夜

照样有人拼命在工作

老人走在大街

捡路人喝剩的瓶子

喝多的 被花的 要饭的 疯的傻的

可怜还是骗人根本分不清真的假的

从平时到周末 谁出来都想要收获

最低消费驻场三陪

哪儿妞儿多哪儿醉过

奸商在捣鬼

有钱人玩儿的到位

漂亮女孩儿总在干杯很快被灌醉

臭鼠霉趁天黑挂警备狐假虎威

酒吧夜总会的门前领导的车辆成群结队

厕所里躲着戏果儿

洋酒就着鸭脖儿

小明星大模特儿

陪着老逼坐在雅座儿

巡逻的警车东北的皮条客

女大学生很多学生证儿不能打折

北京还在建设但是人已经变了

这所有的一切究竟谁应该来负责

北京晚报,病了您得吃药, 可是医药费太贵了没人给你报销

北京晚报,挂羊头卖狗肉, 太多神经病和大傻逼进大学当教授

北京晚报,欠的钱我不还因为学校收学费都是为了骗钱

北京晚报,妞儿的屁股不够翘, 想当明星那都得先被导演操

很多人每天都看北京晚报

他们老说有些国家大事儿你必须得知道

我怀疑这些消息可不可靠

我不想关心谁的照片儿登上了头条

我听说洗衣粉放进油条

我听说马嘉爵和911

我听说动物园的猴儿自己跑了

我听了一堆废话他妈自己也快疯了

我离开了市中心

心里还是太燥

屋里做了隔音可是邻居还是嫌吵

出门儿才发现垃圾筒里的北京晚报

上边儿都印满了广告

谁死了

他妈这事儿与我无关

我只想看看哪个小妞儿最性感

谁当上领导这事儿谁爱管谁管

谁中了五百万谁整天没钱

只有臭傻逼整天找私人侦探调查婚外恋

其实出租司机也不愿意没事儿带您瞎转

只有每天四五点钟

听见街上喊着北京晚报

终于感到了北京的亲切

ytimg.preload(https://r18---sn-axq7sn7s.googlevideo.com/generate_204);ytimg.preload(https://r18---sn-axq7sn7s.googlevideo.com/generate_204?conn2);3 HOURS Most EPIC POWERFUL BATTLE MUSIC! Powerful Instrumental Music Vol 1 PURE EPIC!!! — YouTube<link rel=«alternate» type=«application/json oembed» href=«www.youtube.com/oembed?format=json

Download my royalty free music here:
www.tubersongs.com/
***

Want to use my music in your own videos, games, etc.?
Download: gumroad.com/tubersongs

Traditional music for you: We are Ean Grimm, Derek Fiechter and Brandon Fiechter… 3 composers who write instrumental music thats meant to relax and inspire you after a long and stressful day at work. Genres we produce are e.g. Celtic music, Medieval music and Nordic music. If you like to listen to traditional instruments like hurdy gurdy, harp, bagpipes and flutes you came to the right place. Medieval fantasy music about a medieval inn where humans, elves, and other creatures come to find refuge from the harsh world and to tell stories about their adventures.

***

This medieval music is by Derek Fiechter

Relaxing Harp and Violin Music: Beautiful Romantic Music, Relaxation, Dating, ♫178 — This background emotional romantic music will make you dream about the infinite incredible power of Love. This Beautiful background Music can be used as massage music, healing music, sleep music, dream music, meditation, yoga and spa music.
PresentMomentHarmony composes Morning Music, Sleep Music, Study Music and Focus Music, Relaxing Music, Meditation Music (including Tibetan Music and Shamanic Music), Healing Music, Reiki Music, Zen Music, Spa Music and Massage Music, Instrumental Music (including Piano Music, Guitar Music and Flute Music and many other musical instruments) and Yoga Music.

#RomanticMusic
#InstrumentalMusic
#ViolinMusic
#HarpMusic

Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the «classical music» canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
The Baroque period saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this kind of arrangement has continued to be used in almost all Western popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers.
During the period, composers and performers used more elaborate musical ornamentation (typically improvised by performers), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Many musical terms and concepts from this era, such as toccata, fugue and concerto grosso are still in use in the 2010s. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works.
The term «baroque» comes from the Portuguese word barroco, meaning «misshapen pearl». Negative connotations of the term first occurred in 1734, in a criticism of an opera by Jean-Philippe Rameau, and later (1750) in a description by Charles de Brosses of the ornate and heavily ornamented architecture of the Pamphili Palace in Rome; and from Jean Jacques Rousseau in 1768 in the Encyclopédie in his criticism of music that was overly complex and unnatural. Although the term continued to be applied to architecture and art criticism through the 19th century, it was not until the 20th century that the term «baroque» was adopted from Heinrich Wölfflins art-history vocabulary to designate a historical period in music.

#Baroque
#BaroqueMusic
#BaroqueHistory

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———
Itzhak Perlman: Popular Jewish Melodies.
*Click to activate the English subtitles for the presentation* (00:00-01:00)
I.THE JEWISH MOTHER — A Yiddishe Mamme — Traditional (00:00)
This song, whose authors are unknown, originated on the stage of the Yiddish theatre at the time of mass emigration of Jews to the USA in search of a better life. It is a song of yearning for the warm and loving touch that only a mother, particularly a Jewish mother, can provide.
«A Jewish mother — she is dearer than money.
»A Jewish mother — how sad when shes so far away…

II.WHEN THE REBBE ELIMELECH BECOMES SO VERY MERRY (06:49)
As der Rebbe Elimelech is gevoyrn asoi freylach
Music: Anonymous
Moshe (Moishe) Nadir was one of the great Jewish humorists and satirists. Here, with all due respect to the great Rabbi Elimelech, he portrays him as a happy human being, not above the foibles of frolicking with abandon at times of joy.

III.REYZELE (12:44)
Music: Mordechai Gebirtig
A victim of the Holocaust, Mordechai (Mordkhe) Gebirtig created many songs that became very popular throughout the lands of Jewish dispersion. Here a young maiden, wishing to preserve her traditional «purity,» implores her secret lover not to whistle when he comes courting.

IV.AT THE FIREPLACE — Oifn Pripetchik brennt a feierl (16:57)
Music: Mark Warshavsky
This song, by a protege of Sholem Aleichem, has become the essence of the Yiddish folksong, and a classic of the genre. It is a perfect paean to the very soul of Jewishness (at least in the East-European tradition), expressing the suffering, the tears, the heroism and the tribulations of endless wandering in the exile, the Diaspora. This is portrayed through a touching picture of children crowded around their Rebbe in a heated room, learning the wonders of the alphabet.

V.DOYNA (21:06)
Music: Romanian Anonymous
This tune originated in Romanian folk song and was adopted by the Jewish Klezmers who traveled around playing at weddings and other festivities. (Similarly, many Jewish melodies found their way to the folksongs of other peoples.) The Doyna has thus become one of the most popular Klezmer melodies.

VI.RAISINS AND ALMONDS — Rozhinkes mit Mandelen (24:50)
Music: Abraham Goldfaden
Originally an aria from Goldfadens operetta «Shulamit,» this rapidly became such a hit that it quickly turned into a popular folksong. It is a statement of innocent optimism and faith in the Jewish fate and future.

VII.BY THE WAYSIDE STANDS A TREE — Oifn Weyg steyt a Boim (30:31)
Music: Anonymous
Itzik Manger was a true folk-poet whose works have rightly become classics of Jewish literature. In the present example a young Jewish lad dreams of turning into a bird, so that he might experience true freedom in all its glory, to nest among the bare branches of a wayside tree, deserted in the wintry storm by all the birds.

VIII.A SONG — A Dudele (36:00)
Music: Reb Levi Yitzhak of Berditchev
Many of Rabbi Yitzhaks songs have become true folksongs. They are all, like the present one, simple and straightforward expressions of the faith in God the Almighty, and of the great inner joy that may be derived from this faith.
« Oh, mighty God! O mighty God!
I shall sing you a song:
You are in the North, and You are in the South.
You are in the East, and You are in the West! You, You, You, You.. »

IX.WHERE SHALL I GO? — Vi ahin soil ich Geyn? (40:55)
Music: Oscar Stock
Though written by two men of the theatre before the Holocaust, this song became very popular during World War Il in the ghettoes and concentration camps. It depicts the profound dilemma of the desperate Jewish People, persecuted everywhere and at a loss as to ’’where one can go’’…

Violin: Itzhak Perlman
Clarinet Solo: Israel Zohar
The Israel Philharmonic Orchestra
Conductor and Arranger: Dov Seltzer
Recorded in 1986-87
Find CMRRs recordings on Spotify: spoti.fi/3016eVr

Max Bruch — Violin Concerto No.1 in G minor P° (Century’s recording: Itzhak Perlman / Haitink): www.youtube.com/watch?v=dUKZS2QQIm8