Traditional music for you: We are Ean Grimm, Derek Fiechter and Brandon Fiechter… 3 composers who write instrumental music thats meant to relax and inspire you after a long and stressful day at work. Genres we produce are e.g. Celtic music, Medieval music and Nordic music. If you like to listen to traditional instruments like hurdy gurdy, harp, bagpipes and flutes you came to the right place. Medieval fantasy music about a medieval inn where humans, elves, and other creatures come to find refuge from the harsh world and to tell stories about their adventures.
Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the «classical music» canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
The Baroque period saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this kind of arrangement has continued to be used in almost all Western popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers.
During the period, composers and performers used more elaborate musical ornamentation (typically improvised by performers), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Many musical terms and concepts from this era, such as toccata, fugue and concerto grosso are still in use in the 2010s. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works.
The term «baroque» comes from the Portuguese word barroco, meaning «misshapen pearl». Negative connotations of the term first occurred in 1734, in a criticism of an opera by Jean-Philippe Rameau, and later (1750) in a description by Charles de Brosses of the ornate and heavily ornamented architecture of the Pamphili Palace in Rome; and from Jean Jacques Rousseau in 1768 in the Encyclopédie in his criticism of music that was overly complex and unnatural. Although the term continued to be applied to architecture and art criticism through the 19th century, it was not until the 20th century that the term «baroque» was adopted from Heinrich Wölfflins art-history vocabulary to designate a historical period in music.
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Itzhak Perlman: Popular Jewish Melodies.
*Click to activate the English subtitles for the presentation* (00:00-01:00)
I.THE JEWISH MOTHER — A Yiddishe Mamme — Traditional (00:00)
This song, whose authors are unknown, originated on the stage of the Yiddish theatre at the time of mass emigration of Jews to the USA in search of a better life. It is a song of yearning for the warm and loving touch that only a mother, particularly a Jewish mother, can provide.
«A Jewish mother — she is dearer than money.
»A Jewish mother — how sad when shes so far away…
II.WHEN THE REBBE ELIMELECH BECOMES SO VERY MERRY (06:49)
As der Rebbe Elimelech is gevoyrn asoi freylach
Music: Anonymous
Moshe (Moishe) Nadir was one of the great Jewish humorists and satirists. Here, with all due respect to the great Rabbi Elimelech, he portrays him as a happy human being, not above the foibles of frolicking with abandon at times of joy.
III.REYZELE (12:44)
Music: Mordechai Gebirtig
A victim of the Holocaust, Mordechai (Mordkhe) Gebirtig created many songs that became very popular throughout the lands of Jewish dispersion. Here a young maiden, wishing to preserve her traditional «purity,» implores her secret lover not to whistle when he comes courting.
IV.AT THE FIREPLACE — Oifn Pripetchik brennt a feierl (16:57)
Music: Mark Warshavsky
This song, by a protege of Sholem Aleichem, has become the essence of the Yiddish folksong, and a classic of the genre. It is a perfect paean to the very soul of Jewishness (at least in the East-European tradition), expressing the suffering, the tears, the heroism and the tribulations of endless wandering in the exile, the Diaspora. This is portrayed through a touching picture of children crowded around their Rebbe in a heated room, learning the wonders of the alphabet.
V.DOYNA (21:06)
Music: Romanian Anonymous
This tune originated in Romanian folk song and was adopted by the Jewish Klezmers who traveled around playing at weddings and other festivities. (Similarly, many Jewish melodies found their way to the folksongs of other peoples.) The Doyna has thus become one of the most popular Klezmer melodies.
VI.RAISINS AND ALMONDS — Rozhinkes mit Mandelen (24:50)
Music: Abraham Goldfaden
Originally an aria from Goldfadens operetta «Shulamit,» this rapidly became such a hit that it quickly turned into a popular folksong. It is a statement of innocent optimism and faith in the Jewish fate and future.
VII.BY THE WAYSIDE STANDS A TREE — Oifn Weyg steyt a Boim (30:31)
Music: Anonymous
Itzik Manger was a true folk-poet whose works have rightly become classics of Jewish literature. In the present example a young Jewish lad dreams of turning into a bird, so that he might experience true freedom in all its glory, to nest among the bare branches of a wayside tree, deserted in the wintry storm by all the birds.
VIII.A SONG — A Dudele (36:00)
Music: Reb Levi Yitzhak of Berditchev
Many of Rabbi Yitzhaks songs have become true folksongs. They are all, like the present one, simple and straightforward expressions of the faith in God the Almighty, and of the great inner joy that may be derived from this faith.
« Oh, mighty God! O mighty God!
I shall sing you a song:
You are in the North, and You are in the South.
You are in the East, and You are in the West! You, You, You, You.. »
IX.WHERE SHALL I GO? — Vi ahin soil ich Geyn? (40:55)
Music: Oscar Stock
Though written by two men of the theatre before the Holocaust, this song became very popular during World War Il in the ghettoes and concentration camps. It depicts the profound dilemma of the desperate Jewish People, persecuted everywhere and at a loss as to ’’where one can go’’…
Violin: Itzhak Perlman
Clarinet Solo: Israel Zohar
The Israel Philharmonic Orchestra
Conductor and Arranger: Dov Seltzer
Recorded in 1986-87
Find CMRRs recordings on Spotify: spoti.fi/3016eVr
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Enjoy a concert from our Garden in Goa.
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Hello beautiful people! We are proud to present to you, our latest song made with the intention to serve as an energy cleanse for yourself and your home! Heal old negative energies from your house with this music tuned to 528hz!
Подпишись на канал — goo.gl/5ks459
Спокойная фоновая музыка отлично помогает для обучения и концентрации. Используйте наши видео на небольшом уровне громкости как фон для достижения наилучшего эффекта.
Музыка для обучения и работы позволит быстрее справиться с домашним заданием и уроками, а также с написанием сочинений и эссе.
Музыка для концентрации и фокуса помогает выполнить работу быстрее, без стресса подготовиться к экзаменам.
Фоновая музыка может быть использована также как музыка для чтения.
Silver blue light by Kevin MacLeod
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