► Изучи немецкий с носителем языка сегодня: go.italki.com/1Ojye8x (сертификат italki)
Это видео — языковой профиль немецкого, одного из самых важных и влиятельных языков Европы.
Особая благодарность Александру Пикару за аудиозаписи на немецком и Себастьяну Стауберу за содействие.
Поддержи Langfocus на Patreon: patreon.com/langfocus
Особая благодарность: Nicholas Shelokov, 谷雨 穆, Anders Westlund и Kaan Ergen за их щедрую поддержку на Patreon.
George Street Shuffle Kevin MacLeod (incompetech.com)
Распространяется по лицензии Creative Commons: Attribution 3.0 creativecommons.org/licenses/by/3.0/
Vincent van Gogh painted The Starry Night one year before dying.
Chopin composed his popular Nocturne when he was about twenty.
it does not matter if you think that it is too late for you or that you still have a lot of time...you have to decide whether you are Chopin or van Gogh.
The idea behind these videos is coming from a research published by the Psychology Department of Berkeley University studying the relation between colors, emotions and how external stimuli are impacting decision making.
The study results demonstrate a strong correlation between faster music in minor tone and the choice from participants of colors from that were saturated, yellower and lighter whereas a slower and minor music produced the opposite pattern (choice of desaturated, darker and bluer colors).
Based on these findings, we wanted to create synesthesia in our videos and trigger more intense and long-lasting emotions in our viewers, get higher audience retention and interaction. We decided to do that by associating drawings from the major painters that were following the scientific findings of this research.
The choice of these paintings and the consecutive association with the music is also based on an accurate work that requires significant time and energy.
The analysis of the melodies returned to us a lot of information on how the painting should have been made. We needed a simple blue pattern but with an intrinsic meaning. Something that people could watch for a while without really understand it.
By creating this video I tried to do only one thing which turned to be the most difficult one: make you feel an emotional synesthesia.
When hearing the melody, dont you feel that everything is...blue? aren’t you lost in the sky? is your mind going over? It’s not for no reason.
it is not only an image, it is not only a melody. It is a trip.
You dont feel bored. Its your mind using the notes and the colors to create your own experience.
Most of the videos online with only one image are only music, but not this.
The research behind the perfect combination is the key for the unconscious.
The research:
«Music–color associations are mediated by emotion» www.pnas.org/content/110/22/8836
Stephen E. Palmer, Karen B. Schloss, Zoe Xu, and Lilia R. Prado-León
— This popular nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato.
1. 0:06 Op. 9, No. 1 in B flat minor. Larghetto
2. 5:53 Op. 9, No. 2 in E flat major. Andante
3. 10:29 Op. 9, No. 3 in B major. Allegretto
4. 17:09 Op. 15, No. 1 in F major. Andante cantabile
5. 22:07 Op. 15, No. 2 in F sharp major. Larghetto
6. 25:43 Op. 15, No. 3 in G minor. Lento
7. 30:53 Op. 27, No. 1 in C sharp minor. Larghetto
8. 36:32 Op. 27, No. 2 in D flat major. Lento sostenuto
9. 42:27 Op. 32, No. 1 in B major. Andante sostenuto
10. 47:27 Op. 32, No. 2 in A flat major. Lento
11. 53:01 Op. 37, No. 1 in G minor. Lento
12. 59:51 Op. 37, No. 2 in G major. Andante
13. 1:06:17 Op. 48, No. 1 in C minor. Lento
14. 1:12:25 Op. 48, No. 2 in F sharp minor. Andantino
15. 1:20:11 Op. 55, No. 1 in F minor. Andante
16. 1:25:36 Op. 55, No. 2 in E flat major. Lento sostenuto
17. 1:31:19 Op. 62, No. 1 in B major. Andante
18. 1:38:51 Op. 62, No. 2 in E major. Lento
19. 1:45:11 Op. 72, No. 1 in E minor. Andante
20. 1:49:19 Op. posth in C sharp minor. Lento con gran espressione
21. 1:53:18 Op. posth in C minor. Andante sostenuto
Composer: Antonio Vivaldi
Artists: LArte dellArco, Federico Guglielmo, Francesco Galligioni
Cello Concerto in D Minor, RV 405:
00:00:00 I. —
00:02:40 II. Adagio
00:06:27 III. Allegro
Cello Concerto in G Minor, RV 417:
00:08:45 I. Allegro
00:11:28 II. Andante
00:15:22 III. Allegro
Cello Concerto in D Major, RV 403:
00:18:22 I. Allegro
00:21:10 II. —
00:22:52 III. Allegro
Cello Concerto in F Major, RV 410:
00:25:29 I. Allegro
00:28:49 II. Adagio, solo a piacimento
00:32:39 III. —
Cello Concerto in A Minor, RV 420:
00:36:05 I. Andante
00:39:49 II. Adagio
00:43:13 III. Allegro
Cello Concerto in G Major, RV 414:
00:46:39 I. Allegro molto
00:50:07 II. Andante
00:52:54 III. Presto
Cello Concerto in G Minor, RV 416:
00:56:07 I. Allegro
00:59:39 II. Adagio (Largo)
01:02:50 III. Allegro
Cello Concerto in A Minor, RV 418:
01:05:37 I. Allegro
01:09:32 II. —
01:12:52 III. Allegro
Cello Concerto in C Minor, RV 401:
01:15:49 I. Allegro non molto
01:19:53 II. Adagio
01:22:12 III. Allegro ma non molto
Cello Concerto in G Major, RV 413:
01:25:03 I. Allegro
01:28:02 II. Largo
01:31:52 III. Allegro
Cello Concerto in G Major, RV 415:
01:34:45 I. Allegro
01:37:20 II. Siciliana
01:40:26 III. Alla breve
Cello Concerto in A Minor, RV 419:
01:43:29 I. Allegro
01:47:00 II. Andante
01:50:01 III. Allegro
Cello Concerto in B Minor, RV 424:
01:51:34 I. Allegro non molto
01:55:14 II. Largo
01:57:39 III. Allegro
Cello Concerto in D Minor, RV 406:
02:01:03 I. Allegro non molto
02:03:52 II. Andante
02:06:12 III. Minuet
Cello Concerto in A Minor, RV 421:
02:10:57 I. Allegro non troppo
02:13:57 II. —
02:15:57 III. Allegro
Cello Concerto in C Major, RV 399:
02:18:19 I. Allegro
02:20:26 II. Largo
02:22:26 III. —
Cello Concerto in F Major, RV 411:
02:24:39 I. Allegro
02:27:28 II. Largo
02:28:49 III. Allegro molto
Cello Concerto in D Major, RV 404:
02:30:45 I. —
02:33:31 II. Affettuoso
02:35:21 III. Allegro
Cello Concerto in C Major, RV 398:
02:38:24 I. Allegro
02:41:03 II. Largo
02:42:57 III. —
Cello Concerto in C Minor, RV 402:
02:45:07 I. Allegro
02:48:29 II. Adagio
02:51:36 III. Allegro
Cello Concerto in F Major, RV 412:
02:53:57 I. —
02:56:37 II. Larghetto
02:58:38 III. Allegro
Cello Concerto in D Minor, RV 407:
03:00:56 I. Allegro
03:04:05 II. Largo
03:07:18 III. Allegro
Cello Concerto in C Major, RV 400:
03:10:22 I. Allegro
03:13:15 II. Largo
03:16:00 III. Allegro non molto
Cello Concerto in E Minor, RV 409:
03:18:28 I. Adagio – Allegro molto}
03:23:05 II. Allegro – Adagio
03:24:19 III. Allegro
Cello Concerto in B-Flat Major, RV 423:
03:26:45 I. Allegro
03:20:09 II. Largo
03:32:41 III. Allegro
Cello Concerto in E-Flat Major, RV 408:
03:36:11 I. Allegro non molto
03:39:41 II. Largo
03:43:08 III. Allegro
Cello Concerto in A Minor, RV 422:
03:45:15 I. Allegro
03:48:21 II. Largo cantabile
03:51:16 III. Allegro
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