NOTE: The old video is back, but the copyright sections are still muted. Just gonna leave everything as is because people have playlists
have to add this note because people keep bitching: yeah, this isnt literally nordic music. I didnt come up with the name. Theres a bit of a story behind the upload and its too late now to change it. Long story short Nordic Ambient Music was the name of a skyrim mod. Ulf Soderberg, the badass dude who made this music, is from Sweden and classifies it as dark and tribal ambient
previous video was muted by youtube, reupload with problem tracks removed
partial playlist thanks to Cassandroid Seadoss:
0:00:00 — Ulf Söderberg — Tidvatten part II
0:07:04 — Ulf Söderberg — Vindarnas Hus
0:10:51 — Ulf Söderberg — Tidvatten Part I
0:16:20 — Ulf Söderberg — Tempel Och Katedral Reser Sig Ur Djupen
0:20:51 — ulf söderberg — sådan var vintern om sommaren
0:24:35 — Ulf Söderberg — Nordvinterögon
0:27:13 — Ulf Söderberg — I Vargmanens Tid
0:33:00 — Ulf Söderberg — Blaeld
0:35:38 — Ulf Söderberg — Nattfrost
0:37:25 — ulf söderberg — det vakande tinget i nordväst
0:40:20 — Ulf Söderberg — Den viskande solen
0:41:40 — Sephiroth — Dark Father
0:49:44 — Sephiroth — Dark Garden
0:54:40 — Sephiroth — Now Night Her Course Began
1:03:30 — A map of Eden Before the Storms
1:07:00 — Sephiroth — Abyssanctum
1:17:35 — Ulf Söderberg — Nongals tempelgardar (???)
1:18:49 — Ulf Söderberg — Vargskymning
1:23:06 — Sephiroth — Rlyeh
1:29:30 — Ulf Söderberg — Nattstaden
«1:34:00 — Skymningsfolket» by Ulf Soderberg
1:38:20 — Sephiroth — Therasia
1:46:43 — Sephiroth — The Moongate
1:54:15 — Ammons Hav" by Ulf Soderberg
2:04:20 — Sephiroth — Heliopolis
2:09:00 — Ulf Söderberg — Morgonmåne
Herja is roughly translated to «wage war» and is one of the two new albums by Danheim (2018).
Herja contains Viking War Songs and Epic Viking Battle Songs. In contrast to the Fridr album, Herja is based on a darker atmosphere and are inspired by the struggles, battles and hostile times of the Viking Age.
00:00 – 01:24 | On The Doorstep
01:24 – 02:11 | The Hunters (Extended Edition)
02:11 – 02:58 | In the Shadow of the Mountain
02:58 – 07:08 | Courage And Wisdom
07:08 – 07:30 | The Courage of Hobbits
07:30 – 07:51 | On The Doorstep
07:51 – 08:37 | A Thief In The Night
08:37 – 09:37 | The House of Beorn (Extended Version)
09:37 – 10:09 | Brass Buttons
10:09 – 10:24 | Barrels Out of Bound
10:24 – 11:26 | Old Friends (Extended Version)
11:26 – 13:37 | There And Back Again
13:37 – 17:11 | The Return Journey
17:11 – 18:58 | Dreaming of Bag End
18:58 – 19:24 | The Adventure Begins
19:24 – 20:24 | A Very Respectable Hobbit (Exclusive Bonus Track)
20:24 – 20:42 | The Hill of Sorcery
20:42 – 24:10 | The White Council (Extended Version)
24:10 – 24:24 | Fire And Water
24:24 – 24:49 | Proctector of the Common Folk
24:49 – 25:25 | Radagast the Brown (Extended Version)
25:25 – 27:19 | Kingsfoil
27:19 – 27:44 | The Quest for Erebor
27:44 – 28:05 | An Unexpected Party (Extended Version)
28:05 – 29:42 | Misty Mountains
29:42 – 31:39 | Feast of Starlight
31:39 – 32:17 | Flies and Spiders (Extended Version)
32:17 – 35:11 | Shores Of The Long Lake
35:11 – 36:21 | The Ruins Of Dale
36:21 – 37:18 | Ironfoot
37:18 – 38:08 | The Woodland Realm (Extended Version)
38:08 – 38:54 | Girion, Lord of Dale (Extended Version)
38:54 – 39:27 | Ravenhill
39:27 – 39:59 | The Fallen
39:59 – 43:42 | The Darkest Hour
43:42 – 45:23 | Over Hill
45:23 – 48:03 | Beyond the Forest
48:03 – 50:25 | Axe or Sword
50:25 – 51:20 | Moon Runes (Extended Version)
51:20 – 52:43 | The Hidden Valley
52:43 – 54:38 | The Dwarf Lords (Exclusive Bonus Track)
54:38 – 55:53 | My Dear Frodo
55:53 – 56:16 | A Good Omen
56:16 – 57:56 | Old Friends (Extended Version)
If you want to listen to the mix on a phone or other device, you have to stream it on SoundCloud since it seems to be restricted here on YouTube: goo.gl/TZaizG
Amalie Bruun has always paved her own path, challenging underground preconceptions of heavy metal ever since the release of her debut Myrkur EP in 2014. Her first two full-length studio albums, 2015’s M and 2017’s Mareridt, recast black metal in the most personal yet expansive of terms, their blending of Amalie’s Danish folk roots with tempestuous internal struggles breathing new life into a subgenre whose followers can be rigidly possessive.
With the release of her new album, Folkesange, Amalie Bruun has set out to journey into the very heart of the Scandinavian culture that marked her childhood. Folkesange relinquishes black metal for a refined yet far-reaching evocation of traditional folk, combining songs ancient and new to sublimely resonant effect.
After the nightmare-induced visions that wrought themselves throughout Mareridt, Folkesange offers an emotional sanctuary, a means to reconnect to something permanent and nature-aligned. It’s an awareness that’s become deeply bound to the album’s organic, regenerative spirit, from the opening track Ella’s heartbeat, frame-drum percussion and crystalline vocals that become the grounding for a rapt, richly textured awakening, to the gentle carousel of the closing Vinter, with its nostalgia-steeped connotations of seasonal, snowfall-bewitched awe.
Storytelling, rites of passage, and the invocation of a continuity that passes through time and generation are all part of folk music’s tapestry, and Folkesange taps into all these currents in their most essential form. In part a purist’s approach to the genre, free from over-interpretation and fusion, the use of traditional instruments throughout, such as nyckelharpa, lyre, and mandola offer a deeper, more tactile connection to their source, an unbroken line of communication back to the past.
But the album is no museum piece; it resonates in the here and now, aided by the spacious production of Heilung member and musical collaborator Christopher Juul. Cinematic yet intimate, Folkesange exists in a state of boundless reverie, bourne by string-led drones, cyclical, elegiac rhythms and Amalie’s frictionless voice, all carrier signals for deep-rooted, ancestral memories, and associations felt on an elemental level.
It’s a binding of the otherworldly and the earthy that echoes the the subject matter of many of the tales themselves. Written by Amalie, Leaves Of Yggdrasil’s medieval cadences bind tragic love story and mythology, full of both fairytale wonder and deeply human foible. Tor i Helheim, its dreamily persistent rhythm redolent of both innocence and encroachment, is based on a poem from the Icelandic Eddas, relating a journey into the underworld of Hel where the sparse nature of the accompaniment becomes the medium that carries you along in its thrall.
An immersive experience in its own right, but also belonging to a wider, pagan folk-based renaissance that has attracted a devoted following worldwide, Folkesange answers a need that has become ever more pressing in turbulent times. A zeroing in on a resonance that is both intrinsic and enduring, it’s a rediscovery of personal grounding, and an experience that reaches beyond culture to remind us of a shared, deeply rooted inheritance. A tuning fork that binds the personal and the universal, Folkesange is a reminder that the most transcendent experiences are those closest to home.
Wardruna is a Norwegian music group formed in 2003 by Einar Selvik along with Gaahl and Lindy Fay Hella.
They are dedicated to creating musical renditions of Norse cultural and esoteric traditions and make significant use of Nordic historical and traditional instruments including primitive deer-hide frame drums, flutes, kraviklyr, tagelharpe, mouth harp, goat horn, and lur. Non-traditional instruments and other sources of sound like trees, rocks, water, and torches are also used.
The band has released four full-length albums, the first three based on Norse mythology, the last based on the sayings of Odin from the Völuspá and other old norse sources.
Genre: Neofolk, Dark Folk
Country: Canada
Released: March 16, 2018
Bandcamp: ulvesang.bandcamp.com/
Tracklist:
01 — 00:00 — Invocation
02 — 02:02 — The Trial
03 — 06:57 — The Dance
04 — 12:56 — The End
05 — 18:39 — The Hunt
06 — 23:45 — The Break
07 — 28:24 — The Run
08 — 34:02 — The Gloom
09 — 39:20 — The Truth
10 — 43:17 — Močvara/мочвара
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DISCLAIMER. I do not claim any rights of the uploaded songs — all rights go to their respective creator(s). This channel is meant to be a personal collection of songs intended to be shared with others for entertainment and promotional purposes only.
Hello Cyberpunk 2077 fans! This is my sixth Cyberpunk 2077 Radio Mix. This is an aggressive mix of Electro/Cyberpunk music. Subscribe to my channel for more related music! (TRACKLIST BELOW)
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